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Projections:
The Journal for Movies and Mind
Table of Contents
Volume 2, Issue 1
Articles
NEUROCINEMATICS: the Neuroscience of Film
Uri Hasson, Ohad Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, David J. Heeger
THE PERVERSE COSMOS OF BEING JOHN MALKOVICH: Forms and Transformations of Narcissism in a Celebrity Culture
Lissa Weinstein and Banu Seckin
META-EMOTION: How Films and Music Videos Communicate Emotions About Emotions
Anne Bartsch
WHAT DIFFERENCE DOES IT MAKE? Science, Sentiment, and Film
Murray Smith
FROM DESPAIR TO WONDER: Scenes of Transcendence in Indian Cinema
Lalita Pandit
Reviews
Laura Mulvey. DEATH 24 X A SECOND: STILLNESS AND THE MOVING IMAGE.
By Vivian Sobchack
Birgitta Steene, INGMAR BERGMAN: A REFERENCE GUIDE
By Paisley Livingston
Andrew M. Gordon. EMPIRE OF DREAMS: THE SCIENCE FICTION AND FANTASY FILMS OF STEVEN SPIELBERG
By Bernard Roth
Table of Contents
Volume 1, Issue 2
The Camera as a Container:
Jonathan Caouette's Tarnation
Adrienne Harris
An Interview with Jonathan
Caouette
Jonathan Caouette
Laurence Hegarty
Strange Contracts: Elfriede
Jelinek and Michael Haneke
Vicky Lebeau
Emotion Capture: Affect
in Digital Film
Steven Shaviro
The Segmenting Spectator:
Documentary Structure and The Aristocrats
Greg M. Smith
Reviews
Sophie Fiennes (dir.),
Slavoj Zizek (writer and perf.), THE PERVERT'S GUIDE TO CINEMA
By Krin Gabbard
Daniel Frampton, FILMOSOPHY
By Robert Sinnerbrink
Vivian Sobchack, CARNAL
THOUGHTS: EMBODIMENT AND MOVING IMAGE CULTURE
By Catherine Zimmer
Table of Contents
Volume 1, Issue 1
Film Studies and
the New Science
Ira Konigsberg
On Affect,
Motion and Nonverbal Art: A Case and a Theory
Gilbert J. Rose
Sensorimotor
Projection, Violations of Continuity, And Emotion in the Experience of
Film
Patrick Colm Hogan
The Neuroscience
of Metafilm
Norman N. Holland
Attachment,
Trauma and the Vicissitudes of Love: Circularity in Julio Medem's Lovers
of the Arctic Circle
Silvia M. Bell
Pain, Sadness,
Aggression and Joy: An Evolutionary Approach to Film Emotions
Torben Grodal
Reviews
Mark Turner
(ed.), THE ARTFUL MIND: COGNITIVE SCIENCE AND THE RIDDLE OF HUMAN CREATIVITY
By Carl Plantinga
Mary A.
Peterson, Barbara Gillam and H.A. Sedgwick (eds.), JULIAN HOCHBERG ON
THE PERCEPTION OF PICTURES, FILMS AND THE WORLD
By Jeffrey M. Zacks
Glen Gabard
(ed.) PSYCHOANALYSIS AND FILM, and Andrea Sabbadini (ed.), THE COUCH AND
THE SILVER SCREEN
By Bonnie Kaufman