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Projections:
The Journal for Movies and Mind
WINNER OF THE 2008 AAP/PSP PROSE AWARD
The Professional and Scholarly Publishing (PSP) Division of the Association of AmericanPublishers (AAP) has just announced the Professional and Scholarly Excellence (PROSE)award winners for 2008. We are delighted to announce that Projections: The Journal for Movies and Mind won the award for Best New Journal in the Social Sciences & Humanities. Visit http://www.proseawards.com
Table of Contents
Volume 3, Issue 1
Articles
“Sick Eros’: The Sexual Politics of Antonioni´s Trilogy
Frank P. Tomasulo and Jason Grant McKahan
Spatial Representation in Cognitive Science and Film
Daniel T. Levin and Caryn Wang
Psychoanalysis, Cinema, History: Personal and National Loss in René Clément´s Forbidden Games
Esther Rashkin
Blendings of Real, Fictional, and Other Imaginary People
Henry Bacon
Book Symposium
Comments on Tom Wartenberg´s Thinking on Screen: Film as Philosophy
Cynthia Freeland
Philosophy In/Of/As/And Film: Thomas Wartenberg´s Thinking on Screen: Film as Philosophy
Richard Eldridge
Response to My "Critics"
Thomas Wartenberg
Table of Contents
Volume 2, Issue 2
Articles
An interview with Mike Leigh
Mike Leigh
Andrea Sabbadini
Enslaving Central Executives:
Towards A Brain Theory of Cinema
Yadin Dudai
Frankenstein, Dracula,
and the Workings of Genre
Eric Rabkin
Feelings in Conflict: A Clockwork
Orange and the Explanation of Audiovisual Emotions
Jens Eders
Emotions in Sound: Audiovisual
Metaphors in the Sound Design of Narrative Films
Kathrin Fahlenbrach
Reviews
D. N. Rodowick, THE VIRTUAL
LIFE OF CINEMA
By Michael Goddard
Anne Friedberg,
THE VIRTUAL WINDOW: FROM ALBERTI TO MICROSOFT
By Carl Plantinga
Sean Cubitt,
THE CINEMA EFFECT
By Charles Eldsvik
Table of Contents
Volume 2, Issue 1
Articles
Neurocinematics: the Neuroscience
of Film
Uri Hasson, Ohad
Landesman, Barbara Knappmeyer, Ignacio Vallines, Nava Rubin, David J.
Heeger
The Perverse Cosmos of
Being John Malkovich: Forms and Transformations of Narcissism in a Celebrity
Culture
Lissa Weinstein
and Banu Seckin
Meta-Emotion: How Films
and Music Videos Communicate Emotions About Emotions
Anne Bartsch
What Difference Does it
Make? Science, Sentiment, and Film
Murray Smith
From Despair to Wonder:
Scenes of Transcendence in Indian Cinema
Lalita Pandit
Reviews
Laura Mulvey. DEATH 24
X A SECOND: STILLNESS AND THE MOVING IMAGE.
By Vivian Sobchack
Birgitta Steene, INGMAR
BERGMAN: A REFERENCE GUIDE
By Paisley Livingston
Andrew M. Gordon. EMPIRE
OF DREAMS: THE SCIENCE FICTION AND FANTASY FILMS OF STEVEN SPIELBERG
By Bernard Roth
Table of Contents
Volume 1, Issue 2
The Camera as a Container:
Jonathan Caouette's Tarnation
Adrienne Harris
An Interview with Jonathan
Caouette
Jonathan Caouette
Laurence Hegarty
Strange Contracts: Elfriede
Jelinek and Michael Haneke
Vicky Lebeau
Emotion Capture: Affect
in Digital Film
Steven Shaviro
The Segmenting Spectator:
Documentary Structure and The Aristocrats
Greg M. Smith
Reviews
Sophie Fiennes (dir.),
Slavoj Zizek (writer and perf.), THE PERVERT'S GUIDE TO CINEMA
By Krin Gabbard
Daniel Frampton, FILMOSOPHY
By Robert Sinnerbrink
Vivian Sobchack, CARNAL
THOUGHTS: EMBODIMENT AND MOVING IMAGE CULTURE
By Catherine Zimmer
Table of Contents
Volume 1, Issue 1
Film Studies and
the New Science
Ira Konigsberg
On Affect,
Motion and Nonverbal Art: A Case and a Theory
Gilbert J.
Rose
Sensorimotor
Projection, Violations of Continuity, And Emotion in the Experience of
Film
Patrick Colm Hogan
The
Neuroscience of Metafilm
Norman N. Holland
Attachment,
Trauma and the Vicissitudes of Love: Circularity in Julio Medem's
Lovers of the Arctic Circle
Silvia M.
Bell
Pain,
Sadness, Aggression and Joy: An Evolutionary Approach to Film
Emotions
Torben Grodal
Reviews
Mark Turner
(ed.), THE ARTFUL MIND: COGNITIVE SCIENCE AND THE RIDDLE OF HUMAN
CREATIVITY
By Carl Plantinga
Mary A.
Peterson, Barbara Gillam and H.A. Sedgwick (eds.), JULIAN HOCHBERG ON THE
PERCEPTION OF PICTURES, FILMS AND THE WORLD
By Jeffrey M.
Zacks
Glen Gabard
(ed.) PSYCHOANALYSIS AND FILM, and Andrea Sabbadini (ed.), THE COUCH AND
THE SILVER SCREEN
By Bonnie Kaufman